The Magic in Aramide's 'Feeling this feeling'

Feeling this feeling by Aramide lyrics
download feeling this feeling mp3 file here

     "You can't build a relationship with everybody in the room when you don't care about anybody in the room" John Maxwell.

     In this series, we have discussed how to make people relate to your song using "common ground" and "hooking the title of your song". This edition of the series is based on "using a universal theme/title".
     A theme is the central idea of your song- Deep love, love found, heartbroken,etc. A theme is considered universal when it can be related to by the majority of people. Most people want love. When the theme is a part of life that most people experience, that is a universal theme. Conversely, a personal theme represents what can be related to by only you. For instance, if your song is about "How I Met Mary", you may be strongly related to the song but not everybody will relate to that.
     Aramide rode on this concept to make people relate to her song "Feeling This Feeling". A theme/title almost everybody can relate to since we all love and love is about feeling.
     The subsequent paragraphs contain the other things that contribute to the success of "Feeling This Feeling" by Aramide and the lessons songwriters, and music producers will learn from the song.

Form
The overall form of the music is:
intro- verse1- chorus- verse2- chorus- bridge- chorus- chorus- coda

Vocals
The voice of the singer is so pathetic that it arouses listener's emotion. In other words, Aramide expressed the emotional content of the music through her vocal.
     The brilliant vocal pads introduced in the chorus add to the beauty of the music. Besides, the vocal accompaniment introduced towards the end of verse2 adds intensity to the chorus that comes after it and lays emphasis on the hook ("feeling the feeling......................." )

Melody
The melody of "Feeling This Feeling" by Aramide is tuneful. The melody of each section is unique. The most interesting part is that the melody of the chorus is higher in pitch than that of the verse to emphasize the hook.

Bridge
The bridge creates the contrast that really makes the entire song interesting. The bridge is instrumental while the verses and the chorus are vocal.

Coda (outro)
"Feeling This Feeling" ends with a coda that is made up entirely of the hook of the song.

Lessons
  • Carefully chose a theme/title that is universal. A title that will be easily related to by majority of people.
  • Strive to bring out the emotional content of your song.

The Review of 'Bring it on' by P Square featuring Dave Scott


 
P Square


     One thing that is common to all the hit songs I have listened to over the years is that they connect with the audience. Great musicians always find ways to make people identify with their songs. The first part of how to make people relate to your songs was based on using common ground. This edition of the series is ‘hooking the title of your song’. This is very important if you want the listeners to connect and relate to your song. The perfect example of this is found in ‘Bring it on’ by P Square.
     The strength of ‘Bring it on’ by P Square lies in the placement of the title/hook within the song. P Square made the title of the song the hook and ingeniously place it at the strategic places where it will resonate with the audience i.e. the intro and the chorus.
     Let’s take a look at the elements that make ‘Bring it on’ a masterpiece.
Form
Intro- verse 1- pre chorus- chorus- verse 2- pre chorus- chorus- pre chorus- chorus
Intro
     ‘Bring it on’ by P Square begins with a simple piano arpeggiated ostinato (repeated piano riff) which creates unity by also serving as the background to the music. This intro is followed by the announcement of the hook of the song- Bring it on. This intro set the mood for the whole music.
Melody
     The melody of ‘Bring it on’ is very interesting as each section of the song has its distinct melody. This is an element of contrast that P Square employed to captivate the audience.
Lyrics
     The lyrics of the song is well crafted and built towards the title of the song. See the lyrics of ‘Bring it on’.
Instrumental Arrangement
     ‘Bring it on’ by P Square is accompanied with a compelling instrumental arrangement which can independently take the listeners through the journey. The instrumentation begins lightly at the verse, gradually build up to the climax and break towards the end of the chorus to set the pace for another verse.
Vocals
     Both P Square and Dave Scott applied energy in their vocals. They expressed their feeling through their vocals. Distinct voice texture of the singers is another thing that holds the attention of the listeners.

Lessons to be learnt from ‘Bring it on’ by P Square featuring Dave Scott

  • ·         Give the title of your song a captivating melody. For a melody to be interesting, it should be easily remembered and not overly complex.

  • ·        Place the title at the strategic places in the song. Especially, first line of the chorus should contain the title

  • ·        Introduce the hook of your song as early as possible.
           'Bring it on' mp3 file


REVIEW OF "GOD WIN" by KOREDE BELLO



  
   “If you can learn to pinpoint how those around you experience the world, and really try to experience the same world they do, you’ll be amazed at how effective your communication will become.” Terry Felber.
     Korede Bello understands the above notion. He really studies his audience (Nigerian populace) and sees things through their eyes.
     Psychologically, Nigerians- old and young, male and female, rich and poor attribute their success or failures to the Supreme Being (God). This is what someone once termed “Nollywood Mentality” because that is what is portrayed in Nigerian films.
     Korede Bello utilizes this common ground (Nollywood Mentality) to connect with his audience and come up with the phrase “God Win” which is related to by the whole Africans.
     “God Win” was written and performed by Korede Bello and produced by Don Jazzy.
Intro
     “God Win” by Korede Bello starts off with a rhythmic instrumental intro which is only percussion and followed by a vocal cue that set the pace for the first verse. This instrumental intro creates unity in the work as it also serves as the percussive background to the verses.
Vocals
     Captivating voice of the singer really adds to the beauty of the song. Another interesting thing in the vocal is the expressive “vocal pad” that adds energy to the chorus of the song.
Lyrics
     The lyric of “God Win” is heart-warming as it builds around the hook (God win) of the song. The hook comes up at least once in every line of the verses while the chorus is composed of the hook.
Instrumental Arrangement
     The song is accompanied with a creative instrumental arrangement. It is kept distinct in different section of the song (verses and chorus). The instrumental accompaniment in the verses is dominated by percussion. A strong string section and a powerful bass guitar riff are added to heighten the chorus of the song. Again, the verse and chorus have difference in chord progression.
Form
The form of the song is:
 intro- verse1- chorus- verse2- chorus- verse3- chorus- verse4- chorus- chorus- codetta.
Lessons to Be Learnt From “God Win” by Korede Bello

  •   You have to see your song writing as communication. Have your audience in mind when you are writing your song. In other words, see yourself in the world of your audience. This will trigger their emotion and they will relate to your song.

  •   Build your song off the hook and place the hook at strategic places in the song. If this is done correctly, listeners will hold onto the hook after the first listening.

Review of 'Iyawo Mi' by Timi Dakolo

Timi Dakolo
     Great songs are not just assumed to be great. They possess some features which stand them out of the crowd. This write up is based on the review of 'Iyawo Mi' written and performed by Timi Dakolo and produced by Cobhams Asuquo.
     In this review, I am going to cover the features that make the song a masterpiece; the intro, melody, vocals, instrumental arrangement and the outro. After that, I will highlight the lessons which songwritters, upcoming musicians, music arrangers and producers can learn from this music.

Intro
     'Iyawo Mi' by Timi Dakolo begins with an eight-measure exciting instrumental Intro which subtly reveals the melody of the Chorus of the song.

Melody
     The Melody of the song is interesting. Melody of each section (verse, chorus and coda) of the song is unique. Another thing that makes the melody of the song strong is that the highest note of the melody is hit in the chorus.

Vocals
     The singer's voice is very expressive. He expresses his feeling through his vocal. It could also be said that the singer lives in the song because his voice triggers the emotion of the listeners.

Lyrics
     The Lyrics of the song is original and meaningful as all the sections build up to the title of the song and it is universal. That is, anyone can relate to it.

Instrumental Arrangement
    The instrumental arrangement of this music is accomplished as it creates interest throughout. The relationship between the vocal and instrumental accompaniment is 'Contrapuntal'. In other words, the melody of the instrumental is independent but complements that of the vocals and there is dialogue between the vocals and instrumental accompaniment.

Coda
     'Iyawo Mi' by Timi Dakolo is rounded off with a Coda (outro) which brings something new to the music in terms of chord progression and style. It is based on 'I, vi, ii, V' chord progression, which contrasts what the listeners have heard in the preceding sections.

        Lessons to be Learnt from 'Iyawo Mi' by Timi Dakolo
  • It is good to craft the 'Intro' from a section of the song you are working on. This will create unity in your work.
  • Melody of each section of your work should be different. This will create contrast.
  • Express the meaning of your song emotionally through your vocal.
Download 'Iyawo Mi' by Timi Dakolo mp3 file  here
Get the lyrics of 'Iyawo Mi' here

The Review of "Awww" by D'ja



"Awww" was written and performed by D'ja and produced by Don Jazzy, CEO of Marvin Records.

Intro
     The song started with an instrumental intro which set the mood for the song. Interestingly, the intro creates unity in the music as it reoccurs as the instrumental background to the hook of the song.

Melody
     The melody of the song is strong and memorable, especially, that of the hook of the song "baby I want you to know. . . . . . . . . . . . . . . . . ."

Vocals
     The singer has warm and expressive voice. It could be said that, that (the voice) is the strength and greatest asset D'ja possesses.

Instrumental Accompaniment
     The instrumental accompaniment is appealing and tells story. If the vocals were to be removed, only the instrumental arrangement would take listeners through the journey. The instrumental arrangement is also likable as it keeps each section of the song different. For example, the nice bass riff that accompanies the verses.

Outro
     The song was rounded off with an instrumental outro that comprises a melody and accompaniment which is the unelaborate or simple version of the background to the verses. This also creates unity as it brings back the progression listener has heard before the hook.

Form
The overall design of the music is:

Intro- Pre chorus- Chorus- Verse1- Hook- Pre chorus- Chorus- Verse2- Hook- Pre chorus- Chorus- Outro

Conclusion
     This is a great song that upcoming artistes and young producers should take time to study. The song has balance between unity and contrast which is the secret of great songs.

THE REVIEW OF "MELO MELO" by OLAMIDE


     The song "Melo melo" was written and performed by Olamide, CEO of YBNL and produced by Pheelz. The song starts off with an attractive vocal of the singer and accompanied by a vocal pad. The singer has a dynamic voice and a strong vocal projection which makes him unique. The vocal pad at 0.36-0.42 is very appealing.
     The melody of the song is tuneful as it is made of unity and contrast, and varied pitches. The lyrics of the song is clever as every section builds towards the title of the song. The instrumental accompaniment is engaging as it is varied in each section of the song. The smooth string section that accompanies the chorus also makes the song very interesting.
     Overall design (form) is: pre chorus- chorus- verse1- pre chorus- chorus- verse2- pre chorus- chorus- verse3- pre chorus- chorus.
     The design and arrangement of this song is worthy of emulation for upcoming artistes/song writers and producers as it will improve their art of songwriting and production respectively.

like us on Facebook

Kategori

Popular Posts

Kategori